DRAW THE CIRCLE by and starring Mashuq Mushtaq Deen will be presented at InterAct Theatre in June 2018

InterAct Announces 2017-18 Season of New Plays Including DRAW THE CIRCLE by Mashuq Mushtaq Deen

PHILADELPHIA: InterAct Theatre Company has announced its 2017-18 season, which will feature four plays, including world premieres by A. Rey Pamatmat and Fin Kennedy.

“InterAct’s mission of fostering civic discourse around the social, political, and cultural issues of our time holds a particular imperative as we celebrate this milestone 30th year,” said producing artistic director Seth Rozin in a statement. “Our goal of forwarding thought-provoking work that challenges audiences is more important than ever, and in this anniversary year we are excited to be presenting two world premieres, including a cinematic thriller about the integrity of truth and the importance of controlling narrative that is the largest show InterAct has ever produced. Our season will grapple with some of the most topical current themes, such as the darkly comedic side of LGBTQ mainstream ‘acceptance’ in the age of marriage equality, and the intensely personal and political journey of gender transition.”

The season will close with Mashuq Mushtaq Deen’s Draw the Circle (June 1-24, 2018). Deen will star in the one-person show that chronicles his gender transition and its effects on his traditional Muslim family.

Founded in 1988, InterAct produces new and contemporary plays explore the social, political, and cultural issues of our time.

Link to the article from American Theatre here.

Magic Theatre Introduces Its 2017-2018 Season Including THE EVA TRILOGY

MAGIC THEATRE ANNOUNCES ITS 2017-2018 SEASON

SEASONINCLUDES:
WORLD PREMIERE
THE EVA TRILOGY by Barbara Hammond

SAN FRANCISCO, CA (March 31, 2017) – ­ Magic Theatre (Artistic Director, Loretta Greco; Managing Director, Jaimie Mayer) announced its 2017-2018 season today, which includes the World Premiere of Barbara Hammond’s THE EVA TRILOGY.

Barbara Hammond’s THE EVA TRILOGY is a lyrical Irish epic spanning thirty years over the course of three plays: EDEN, ENTER THE ROAR, and NO COAST ROAD. In Hammond’s trilogy, an Irish expat named Eva returns home from her rebellious life in Paris and makes an irreparable choice when her ailing mother’s fate is placed in her hands. Her decision becomes legendary within her community and proceeds to haunt her through the rest of her life. Each play in the trilogy champions its own theatrical landscape, reflecting the tremendous range of Hammond’s writing and the evolving state of her subject. Magic will be the first theatre to take on all three parts in a single production. Julia McNeal (FRED’S DINER, A LIE OF THE MIND) will star as Eva.
———————————————————————————————————–

CONTACT: Jonathan White / 530-219-9797 or jonathanwhitepr@gmail.com

In December 2017, Magic Theatre will once again feature the Martha Heasley Cox Virgin Play Festival, Magic’s annual insiders’ look at plays in the making. The 2017 Virgin Play Series will showcase the next generation of bold theatrical voices, working alongside Magic’s family of visionary mid-career writers. All three World Premieres of this season were gestated within the Virgin Play Festival in 2016, and Magic’s consistent pipeline from workshop to production will once again be shared in 2017.
 
Since its inception in 1967, Magic Theatre has fostered courageous playwrights and produced explosive, entertaining, and ideologically robust plays. Magic believes that if we demonstrate faith in a writer’s vision by providing a safe, rigorous, and innovative artistic home, where a full body of work can be imagined, developed, and produced, then writers, in turn, will thrive.  Seventeen of the last nineteen world premiere plays developed and produced at Magic have enjoyed extended life in cities such as New York, Chicago, Los Angeles, Seattle, Washington DC, London, Manila, and Seoul.
 
With its intimate thrust stage, Magic is the perfect venue for audiences to experience new work up close. That intimacy extends beyond the mainstage through a number of special events: Community Nights that offer affordable access for the next generation of theatre audiences, Friday night actor Talkbacks, New Work Salons with playwrights and directors, and the Martha Heasley Cox Virgin Play Festival. Magic patrons enjoy unparalleled access to new plays, playwrights, and the process of taking theatre from the page to the stage.
 
Magic is also proud to be a community partner. Through its “Sheparding America” celebration of Sam Shepard’s legacy in the Bay Area, its Laney College Initiative and Magic: Oakland Annex, the Magic Apprenticeship Program, and active collaborations with A.C.T., Campo Santo, Word for Word, Intersection for the Arts, and The Commonwealth Club, Magic is a local industry leader.

With by Carter W. Lewis, Selected for 2017 Play Penn Conference

Clifford and Minnie devolve into a world of often hysterical but ultimately heartbreaking minutiae as they navigate a blizzard, a dead son, a rat in the kitchen and a half decorated Christmas tree, to find dignity in their final days.

Carter W. Lewis is currently Playwright-in-Residence at Washington University. Previously, he was Literary Manager & Playwright-in-Residence for The Geva Theatre Center (NY), and was co-founder and Resident Playwright for Upstart Stage in Berkeley, California. He has won several national awards including The Julie Harris – Playwriting Award, The State Theatre – Best New American Play, The Cincinnati Playhouse Rosenthal New Play Prize (1996 & 2001), New Dramatist Playwriting Award, Playwright’s Center Jerome Residency, and is a two-time nominee for the American Theatre Critics Award.  He has had close to 200 productions of his plays nationwide. Carter lives in St. Louis with his dog, Bucket.

Mark St. Germain Adapting John Updike HAMLET Prequel for the Stage; Reading Set for Orlando!

Orlando Shakespeare Theater (Orlando Shakes) in Partnership with UCF continues to expand its mission to bring thought-provoking new theatrical works to Central Florida through a commission with playwright Mark St. Germain to write an adaptation of John Updike’s bestselling novel, Gertrude and Claudius.

A staged reading of the play will be featured at the Theater’s annual play festival, PlayFest 2017 presented by Harriett’s Charitable Trust, and is scheduled to receive a world premiere in 2019 as part of Orlando Shakespeare Theater’s 30th season.

Gertrude and Claudius is a New York Times and Washington Post best seller and has received national and global acclaim.

Read the full article from Broadway World here!

Works by Mashuq Mushtaq Deen, and More Slated for International Human Rights Art Festival

Playwright Mashuq Deen (New Dramatists Fellow 2022) brings the story of his own transgender journey as a member of a traditional South Asian family and Playwright Catherine Filloux, winner of more than 40 awards for playwriting, activism and peace work, brings her latest work to the stage at New York City’s first arts-advocacy festival of its kind, the International Human Rights Art Festival.

Presented by The Institute of Prophetic Activist Art, co-sponsored and housed at Dixon Place (161A Chrystie St, NYC), the Festival will take place March 3-5, 2017. Tickets are Free-$25 and are now available online with full schedule and participant information at www.dixonplace.org.

All works are advocacy-based, and treat a specific issue of concern — of even more concern now, with the recent political transfer of power!

Deen and Filloux are joined by the award-winning collective Superhero Clubhouse, Grammy-nominated Alika Hope and the Ray of Hope Project, long-time NYC spoken word collective Poetic People Power, Ari Gold, America’s first openly gay popstar and winner of numerous national awards.

The International Human Rights Art Festival unites over 70 artists in Arts Advocacy producing more than 40 events. The Festival will use passionate, tough, unforgiving beauty to create social energy to catalyze collective action on social concerns, promote equality for racial, ethnic and religious groups, advocate for specific policy change in issues such as climate change, LGBT and disability laws, religious tolerance and other issues. Additionally, it will use workshops, discussions and other hands-on activities to inspire nearly 2000 audience members (including child participants in the “kidsfest”) to learn how to use their own creative agency to advocate for positive policy changes and realize their power and capacity for greater civic engagement.


Draw the Circle by Mashuq Deen

New Dramatists Fellow (2022) Mashuq Deen presents his hilarious and deeply moving story of conservative Muslim mother at her wits end, a Muslim father who likes to tell jokes, and a queer American woman trying to make a good impression on her Indian in-laws. One immigrant family must come to terms with a child who defies their most basic expectations of what it means to have a daughter… and one woman will redefine the limits of unconditional love. This unique show compassionately brings to life the often ignored struggle that a family goes through when their child transitions from one gender to another.

Saturday, March 4, at 7:00 pm

Read the full article from Broadway World here.