The works commissioned in the new program will premiere in the Graduate Acting program’s season of productions.
NYU Tisch School of the Arts and New Dramatists have established a new partnership ensuring the continued development and performance of new works.
Each year, the school will commission an alum or current member of the playwright development laboratory to write and workshop a play specifically for NYU students. The work will then premiere as part of the Graduate Acting program’s annual season of productions.
The partnership marks the formalization of a longstanding tradition between the school and new playwrights, as the program routinely commissions and presents world premieres by established playwrights.
The first commission recipient is playwright Mashuq Mashtaq Deen, whose earlier works include Flood, The Betterment Society, and The Shaking Earth.
His Tisch commission, to be directed in the 2019–2020 season by Johanna McKeon, is an exploration of mathematics, culture, and existentialism, derived in part from improvisation and research conducted with the students. An 11-day workshop included abacus and meditation classes and trips to Chinatown markets.
The full article by Ryan McPhee is available at Playbill.com.
Audrey Cefaly‘s ALABASTER, and Jacqueline Goldfinger’s BABEL make the Kilroy’s 2019 List of un- and underproduced plays un- and underproduced new plays by woman, trans, and non-binary authors per our survey results. Each play received between 5 and 19 nominations. .
ALABASTER: A darkly comic southern drama about love, art, and the power of women. This heart-wrenching story of a reclusive Alabama folk artist won the David Calicchio Emerging American Playwright Prize. After a tornado barrels through town leaving nothing but death and destruction, only June and her pet goat Weezy live to tell the tale. When a prominent photographer visits to take pictures of June’s scars, both are forced to reconcile the pain of loss and recovery. This all-female drama explores the meaning and purpose of art and the struggle of the lost and tortured souls that seek to create it.
BABEL: What would you do if you had the power to build your own baby? In this version of a near future society, prospective parents learn within the first weeks of conception which genetic traits their child will have, and what behaviors they are likely to exhibit. Based on these test results, the parent(s) are either issued a PRE certification which legally guarantees the baby will be a “good” person or not. Without the certification, the child will be limited in what it is allowed to do. Two couples collide over what to do with their PRE certification test results. With rapid advances in reproductive technology, modern eugenics is science’s Wild West. What will we do to “civilize” it and ourselves? How far will we go when playing God? If you like Booker’s “Black Mirror,” Ishiguro’s “Never Let Me Go,” or Haley’s “The Nether,” then this play is for you.
Broadway Records released an original off-Broadway cast recording of The Hello Girls currently available for preorder at BroadwayRecords.com and Amazon.com.
From New York to Paris, from ragtime to jazz — an ensemble of actor-musicians chronicles the story of America’s first women soldiers, The Hello Girls. These intrepid heroines served as bilingual telephone operators on the front lines, helping turn the tide of World War I. They then returned home to fight a decades-long battle for equality and recognition, paving the way for future generations.
Nominated for three Drama Desk Awards and four Outer Critics Circle Awards, The Hello Girls has music and lyrics by Peter Mills, and a book by Mills and Cara Reichel, with direction by Cara Reichel, choreography by Christine O’Grady, and music direction by Ben Moss. Orchestrations are by Peter Mills and Ben Moss, with additional drum arrangements by Elena Bonomo. Produced by Prospect Theater Company, the musical ran from November 13-December 22, 2018 at 59E59 Theaters.
The cast featured Ellie Fishman (Finding Neverland), Arlo Hill (The Most Happy Fella at Encores!), Chanel Karimkhani (The Goree All Girl String Bandat New York Musical Festival), Andrew Mayer (Natasha, Pierre & The Great Comet of 1812), Matthew McGloin (CasablancaBox at HERE Arts), Ben Moss (Spring Awakening), Lili Thomas (Disney Millennium Symphonies with the New York Philharmonic at Avery Fisher Hall), Skyler Volpe (West Side Story at Barrington Stage), Cathryn Wake (Natasha, Pierre & The Great Comet of 1812), and Scott Wakefield (Hands on a Hardbody). Elena Bonomo (Waitress) was the percussionist.
BroadwayWorld is pleased to announce the winners for the 17th annual Theater Fans’ Choice Awards, by FAR, the largest fan based awards of their kind. Open to anyone to vote, the awards present a full slate of eligible nominees in categories that both mirror the popular critical awards, as well as fan favorite categories for Best Tour, Ensemble and Off Broadway shows.
A record number of fans participated in voting for this year’s awards, doubling the number of votes from last year alone.
BE MORE CHILL leads with a total of 10 wins, followed by HADESTOWN which took home 5 awards. TO KILL A MOCKINGBIRD also takes home 5 awards.
Lambda Literary Award winners were celebrated at a star-studded ceremony last night in New York City at the NYU Skirball Center for the Performing Arts.
Once again, the winners of this year’s Lambda Literary Awards demonstrate how LGBTQ writing is far from monolithic. Across twenty-four categories, one finds the range of queer brilliance and a whole new set of books for your to-read list.