By Hayden Dobb, Pasadena Weekly Staff Writer Apr 4, 2024 A new play is coming to Boston Court this spring. “The Body’s Midnight,” written by playwright Tira Palmquist, is a co-production with IAMA Theatre Company. Directed by Jessica Kubzansky, “The Body’s Midnight” explores the idea of what it means to get lost in America...
Washington National Opera renews commitment to future of American opera
A three-character opera lasting 20 minutes is not a vast canvas, and it turns out that less can be more in a mini-opera. The most successful of the three new works, Forever by Elizabeth Gartman, was also the most frivolous, at least on the surface. Set to a libretto by Melisa Tien, it featured...
THE HAPPIEST MAN ON EARTH by Mark St. Germain Wins a Berkie
The seventh annual Berkshire Theatre Critics Association Awards, known as the Berkies took place this week, where a total of 27 awards in 22 categories were presented for shows that were produced between Oct. 1, 2022 and Sept. 30, 2023 at theaters in and around the Berkshires. The Sally and Robert Sugarman Award for...
In a new D.C. play, Lincoln’s head goes missing. Cue the laugh track.
‘Monumental Travesties’ at Mosaic Theater Company makes the vandalism of a controversial statue a source of comedy Review by Peter Marks for The Washington Post What says ally-ship quite like a White man with Black Lives Matter emblazoned on his tighty whities? It’s a question you’ve probably never thought of asking. But playwright Psalmayene...
A winning new opera grows in Brooklyn Commons
By George Grella for New York Classical Review The grandiosity of opera culture—the stars, the spectacle, the stage machinery—often obscures the form itself, which depends on the fine details of things like harmony, dynamics, and individual performances to succeed. The great value in small opera companies like On Site Opera is in their smaller...