BroadwayWorld is pleased to announce the winners for the 17th annual Theater Fans’ Choice Awards, by FAR, the largest fan based awards of their kind. Open to anyone to vote, the awards present a full slate of eligible nominees in categories that both mirror the popular critical awards, as well as fan favorite categories for Best Tour, Ensemble and Off Broadway shows.
A record number of fans participated in voting for this year’s awards, doubling the number of votes from last year alone.
BE MORE CHILL leads with a total of 10 wins, followed by HADESTOWN which took home 5 awards. TO KILL A MOCKINGBIRD also takes home 5 awards.
Lambda Literary Award winners were celebrated at a star-studded ceremony last night in New York City at the NYU Skirball Center for the Performing Arts.
Once again, the winners of this year’s Lambda Literary Awards demonstrate how LGBTQ writing is far from monolithic. Across twenty-four categories, one finds the range of queer brilliance and a whole new set of books for your to-read list.
Baruch Performing Arts Center at Baruch College announces its 2019-20 Season of music, theatre, dance, opera and more, a season spanning genres and cultural influences, rich in imagination and ideas.
Terra Firma *World Premiere*
September 27 – November 10, 2019
Co-presented with The COOP
In a not-so-distant Beckettian future, years after The Big War, a tiny kingdom wrestles with the problems of running a nation, sparring with the concepts of what makes a citizen, a country and a civilization. The play is inspired by real life events: In the 1960’s a retired army major in the United Kingdom claimed an abandoned aircraft platform in international waters off the coast of Essex as a sovereign nation, planted his flag, declared his wife Princess and their motto E Mare Libertas! ‘From the Sea, Freedom!” Written by award winning New Dramatist resident Barbara Hammond, and directed by Shana Cooper (Princess Grace Award), Terra Firma was originally commissioned by The Royal Court, Britain’s premier company for cultivating new plays. The COOP is a new company founded by established New York artists Andrus Nichols (Bedlam’s Saint Joan, Sense & Sensibility; “I’m beginning to think she can do anything.” – Ben Brantley, The New York Times) and Kate Hamill(Playwright of the Year -2017 – The Wall Street Journal, author of Sense & Sensibility, Vanity Fair, Little Women).
Read the full announcement from Broadway Worldhere.
Aurora Theatre Company announced today that it has hired award-winning Oakland-native Dawn Monique Williams as the company’s first ever Associate Artistic Director. Williams will fill the position that incoming Artistic Director Josh Costello will leave vacant. In addition to literary management and artistic support, this new full-time position will also encompass Aurora’s new community partner program and community engagement initiatives. Williams starts August 2019.
“I couldn’t be more pleased to bring Dawn Monique Williams on board as Aurora’s first Associate Artistic Director,” said Costello. “Dawn is a visionary director who is building a national reputation with her work at the Oregon Shakespeare Festival and elsewhere. She’s also a first-class arts leader. I can’t imagine a more ideal artistic partner to join me in leading Aurora into its next chapter.”
Williams brings 20+ years directing and arts experience to Aurora. Most recently, she spent six seasons as Artistic Associate and a resident artist at the Oregon Shakespeare Festival, where she ran the professional development program and directed such titles as The Merry Wives of Windsor, Julius Caesar, and Hamlet. Williams has worked in theatres across the country, including HERE Arts Center, Profile Theatre (Portland), American Conservatory Theatre, Chautauqua Theater Company, and African American Shakespeare Company, among others. Her recent credits include The Secretaries (Willamette Week’s Top 10 Portland Theatre Productions of 2018), A Midsummer Night’s Dream, Romeo and Juliet, The Piano Lesson, and By the Way, Meet Vera Stark.
Williams said: “Joining the artistic staff at Aurora is thrilling. I think Josh has a great vision for Aurora’s future, in particular, civic engagement. I am honored that Josh invited me to join this team and is trusting me to build and cultivate new partnerships with our neighbors in our community and within the region. As someone with deep roots in Berkeley-my parents met here, I was raised in south Berkeley, my daughter was born here-this opportunity to keep the art in conversation with the community is particularly special. The homecoming is full circle in many ways…I was a drama kid at Berkeley High after all.”
The Subtext is a podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life’s muck, we learn what irks, agitates, motivates, inspires, and ultimately what makes writers tick.
This month on The Subtext, Brian speaks with Audrey Cefaly and Lisa Langford while attending the National New Play Network Showcase in December of 2018.
Up first is Audrey Cefaly. Cefaly has developed plays with the National New Play Network, Cincinnati Playhouse in the Park, Signature Theatre, Serenbe Playhouse, Aurora Theatre, Florida Rep, Theater Alliance, Quotidian Theatre Company, University of Alabama – Birmingham, and Contemporary American Theater Festival. She is published by Samuel French, Smith & Kraus, and Applause Books. She is a member of the 2019 Playwrights’ Arena cohort at Arena Stage and was recently named a Traveling Master by the Dramatists Guild Foundation. She is an outspoken proponent of silence in storytelling and has authored numerous articles on the topic of playwriting for HowlRound and Samuel French’s Breaking Character magazine.
Brian and Audrey talk about supporting the people around you when acceptance/rejection season arrives, and the importance of finding fellow travelers who support your work. Their conversation takes place only hours before the showcase of Audrey’s play Alabaster, and they discuss the stakes of the reading and what she hopes may come of it (listen to find out the aftermath of the reading).
Read the full article, and listen to the podcast here.