EllaRose Chary Chosen Among 27 Others For Rhinebeck Writers Retreat

Founding Executive Director Kathy Evans announced the 27 writers of nine new musicals for Rhinebeck Writers Retreat’s summer weeklong residencies. 

The nine musicals were selected from 160 applications, which were reviewed by 27 readers in the first round and, in the final round, six new musical experts who are members of Rhinebeck Writers Retreat’s Sounding Board: Tory Bailey, Executive Director of the Theatre Development Fund; Neil Bartram, Composer; Kent Nicholson, Associate Producer of Musical Theatre, Playwrights Horizons; Barbara Pasternack, Artistic Director, TheatreWorks USA; Natasha Sinha, Director of Artistic Programs, Signature Theatre; and Steve Stettler, former Producing Artistic Director, Weston Playhouse.

For nine consecutive weeks beginning June 30, each writing team is awarded a private weeklong residency in the Hudson Valley to focus solely on writing their musical. Writers are provided a home, transportation, food, and a stipend, and all their costs are covered by Rhinebeck Writers Retreat’s donors. 

· August 4 – August 11: Brandon James Gwinn, EllaRose Chary, and Sherri Eden Barber, TL;DR: Thelma Louise; Dyke Remix, with Lead Support from Liz Armstrong

Read more about the retreat and other writers chosen from Broadway World here.

THE HELLO GIRLS Nominated for 4 Outer Critics Circle Awards this Season !

Outstanding New Off-Broadway Musical
The Beast in the Jungle
Black Light
Girl from the North Country
The Hello Girls
Midnight at the Never Get

Outstanding Book Of A Musical (Broadway or Off-Broadway)
Robert Horn, Tootsie
Conor McPherson, Girl from the North Country
Peter Mills and Cara Reichel, The Hello Girls
Anaïs Mitchell, Hadestown
Jeff Whitty and James Magruder, Head Over Heels

Outstanding New Score (Broadway or Off-Broadway)
Matthew Sklar and Chad Beguelin, The Prom
Joe Iconis, Be More Chill
Peter Mills, The Hello Girls
Anaïs Mitchell, Hadestown
David Yazbek, Tootsie

Outstanding Director Of A Musical
Rachel Chavkin, Hadestown
Scott Ellis, Tootsie
Daniel Fish, Oklahoma!
Joel Grey, Fiddler on the Roof (in Yiddish)
Cara Reichel, The Hello Girls

Read the full list from Playbill.com here.

Emma Stanton Announced as a Premiere Stages at Kean University 2018 Finalist

(UNION, NJ) — Premiere Stages, the professional theatre company in residence at Kean University, has selected its four finalists for the 2018 Premiere Play Festival and will increase its cash awards for honored playwrights by one-third, the theatre announced. Premiere Stages received a record 572 submissions for the festival, an annual competition for unproduced scripts that offers developmental opportunities to playwrights with strong affiliations to New York, New Jersey, Connecticut, Pennsylvania, and Delaware.  The 572 submissions marked a 43% jump from 2017, and represented playwrights of all backgrounds and ages. For the first time in the festival’s 14-year history, three of the four finalist scripts selected were requested from synopses submitted by playwrights.

“We are very excited to be developing an eclectic and topical mix of plays as part of the 2018 Play Festival,” stated John J. Wooten, producing artistic director of Premiere Stages. “Interest from playwrights and audiences in the Festival has grown substantially in the past few seasons and we are pleased to feature some impressive writers whose dramatic voices are just starting to emerge.”

No Candy by Emma Stanton, a former recipient of the Princess Grace Playwriting Fellowship and resident playwright at Chicago Dramatists.  Sunday, March 18 at 3:00pm – No Candy by Emma Stanton – A multi-generational community of Bosnian Muslim women copes, both privately and publicly, with the trauma they experienced during the war. Set in a gift shop near the Srebrenica massacre memorial, the play follows how each woman seeks redemption: one dreams of Julie Andrews, one sings grunge music at karaoke bars, one dresses drag in her father’s clothes. No Candy provides a thought-provoking exploration of the persistence of humor, art, and absurdity in an unimaginable time.

All finalists will receive professional readings as part of Premiere’s 14th annual Spring Reading Series (March 15-18), directed by Mr. Wooten and Jessi D. Hill, Literary Team Chair for Rattlestick Playwrights Theater, and will be considered for expanded development in Premiere’s mainstage season. One of the four plays will be selected for an Actors’ Equity Association (AEA) 29-Hour Reading in June, and the most promising play will be awarded a full AEA production as part of Premiere’s 2018 season. All finalists receive cash awards ranging from $750 to $2,500.

Read more about the nominations here.

Trinity Rep Announces New Artistic Director Title After Generous Donation

Trinity Rep has announced that it has received a generous multi-year donation from Arthur P. Solomon and Sally E. Lapides to support its company, community, and education-focused mission. In celebration of this commitment, Trinity Rep’s artistic director position, held by Curt Columbus, will be named “The Arthur P. Solomon and Sally E. Lapides Artistic Director” through June 2022.

“We consider Trinity Rep to be one of Rhode Island’s real jewels and Curt Columbus to be its outstanding artistic director,” said Solomon and. Lapides. “Therefore, both of us feel honored to be associated with such a world class theater and artistic leader.”

“It is a great honor for me, both personally and professionally, to be associated with both Art and Sally,” said Curt Columbus. “Sally Lapides and her family have been supporters of Trinity Repertory Company since its founding, and she is one of the premier corporate and philanthropic leaders of Rhode Island. Art Solomon is a world class businessman who has made his home in Providence. In getting to know him, I have been struck by his intellect, his heart, and his capacity for understanding art. They are people of taste, experience, and class. I know that their naming of the artistic director chair at Trinity brings their imprimatur with it, and I am beyond thrilled.”

Arthur P. Solomon and Sally E. Lapides’ gift supports Trinity Rep’s commitment to reinventing the public square and inspiring dialogue by creating emotionally-stimulating live productions and innovative education programs for all ages and abilities.

Rhode Island’s Tony Award-winning theater, Trinity Rep has created unparalleled professional theater for and with its community since its founding in 1963. Trinity Rep strives to facilitate human connection and has been a driving force behind the creativity that fuels and defines the region for more than 50 years.

Trinity Rep is committed to reinventing the public square and inspiring dialogue by creating emotionally-stimulating live productions that range from classical to contemporary and innovative education programs for all ages and abilities. Its annual production of A Christmas Carol has brought families together for 40 years and made memories for over a million audience members.

Subscriptions for the 2017-18 season are now on sale. The season includes Death of a Salesman by Arthur Miller, Skeleton Crew by Dominique Morisseau, Into the Breeches! by George Brant, Othello by William Shakespeare, Native Gardens by Karen Zacarías, and Ragtime by Terrence McNally, music by Stephen Flaherty, lyrics by Lynn Ahrens, based on the novel by E.L. Doctorow. For more information and to purchase tickets, call the box office at (401) 351-4242 or visit Trinity Rep’s website at www.TrinityRep.com.