PALOMA Examines Interfaith Relationships

Ethan Rains and Caro Zeller in “Paloma,” at the Los Angeles Theatre Center.
Ethan Rains and Caro Zeller in “Paloma,” at the Los Angeles Theatre Center.

Playwright Anne García-Romero, talking about her latest work, “Paloma,” said three of the world’s major religions are represented by the three main characters. “One is Muslim-American; one is Puerto Rican, and she’s Catholic; and then the third character is also American, and he is of the Jewish faith.  And so, in the play, I do bring out aspects of each of their faiths.”

She does so by depicting the relationship of the characters to their respective religions. The main conflict of the play, which is currently at the downtown Los Angeles Theatre Center, arises from a romance between Ibrahim Ahmed (Ethan Rains), a Muslim, and Paloma Flores (Caro Zeller), a Catholic. “There is a lot of discord around being able to have a relationship with an interfaith situation,” García-Romero said.

Read the full article from the Jewish Journal here.

PALOMA, by Anne García-Romero is Now at the Los Angeles Theatre Center


PALOMA, written by Anne García-Romero, and presented by the Latino Theatre Company, is now open at the Los Angeles Theatre Center, and will play through June 21st.

Peace among Muslims, Christians, and Jews? It happened once, in Spain, for several hundred years, why couldn’t it happen again? When NYU students Ibrahim and Paloma study an ancient Muslim treatise on the art and practice of love, they debate the complexities of romantic relationships while falling into one. When tragedy strikes this interfaith romance, it tests the limits of love in a post-9/11 world and Ibrahim must seek the help of his friend Jared, a young Jewish attorney, to clear his name.

Directed by Alan Freeman, and starring Ethan Rains, Caro Zeller, and Jesse Einstein.

For more information and tickets, go to:

New Play’s Spotlight Will Shine on Pussy Riot and Protest Punk Rock

Because nothing says Russian protest punk rock like a Washington wine-and-cheese reception, the folks who run the Contemporary American Theater Festival held a small party last week to present excerpts from a new play called WE ARE PUSSY RIOT.

The docudrama, about the celebrity Russian dissidents/punk rockers, will get top billing this summer when CATF presents five new American plays during its annual four-week festival at Shepherd University in Shepherdstown, W.Va.  The CATF invited playwright Barbara Hammond (pictured above with Ed Herendeen, artistic director of the Contemporary American Theater Festival) to come down from her writing outpost on Cape Cod, Mass., to read excerpts from WE ARE PUSSY RIOT.

WE ARE PUSSY RIOT is the result of a $10,000 commission granted to Hammond by CATF, which then received a $15,000 National Endowment for the Arts grant to support the project.

Read the full article from the Washington Post HERE.

Anne Garcia-Romero’s MARY PEABODY IN CUBA a Semi Finalist at Carnaval

The Latina/o Theatre Commons (LTC), in collaboration with Emerson College’s HowlRound, a commons by and for people who make performance, announces the 2015 Carnaval of New Latina/o Work (Carnaval 2015)  showcasing twelve new works by Latina/o playwrights from across the U.S., July 23-25, 2015 in Chicago.

Anne Garcia-Romero‘s MARY PEABODY IN CUBA was a semi-finalist!  Ms. Garcia-Romero is also on the Steering Committee for the Carnaval.

Join Ms. Garcia-Romero and the rest of the finalists and committee members in July for this fantastic celebration!

For more information on the Carnaval, click here.